I hadn’t had a bath in two days.  And the last meal I could remember eating was a handful of chocolate chips (no cookies, just the chocolate chips straight out of the bag).  And I texted to two friends and I called my publisher.

I’ve finished it.  I’ve written “The End” on the bottom of the last page.  I’ve finished writing my latest book.

My publisher will be the one to decide, of course – whether it is a book worth publishing and whether it is, indeed, finished.  But right now, in my own mind, the story has been told and it is ready for the telling to others.

After a book manuscript is finished by a writer, it is a long way and time until it is a “book.”  But for the author, this is a terribly significant and mixed-emotion time – not unlike the semi-sweet chocolate that was my last meal.  It is semi-sweet to be done with the creating and crafting and discipline of writing; and it’s semi-sweet saying goodbye to the characters, to the place of reality where you’ve lived for the past weeks and months and sometimes years; and it’s a semi-sweet feeling of putting down your pen and purpose – your reason for being – even if it is only for awhile.

Perhaps this has been particularly evident to me, particularly relevant, right now – to feel as if I’ve had a place to go and people to be with, and to have a sense of meaningfulness in my life during this actual real time of isolation and confinement.  

And I suspect there may be a burst of art and writing and music, of philosophy and creative science and imaginative thinking, that will be coming out on a global basis, after we have all gotten through this time of self-imposed introspection and, for some of us, a sort of desperation to find purpose in our lives.

But I also suspect that some of this scurry and push in creativity may be simply for our personal need to create an “alternate reality” for ourselves, an alternate place to be and hangout, an alternate us – like children and their imaginary friends or playing dress-up; like theater and the theater of the mind we get from reading; like playing games and make-believe and wearing clown noses.

I also suspect that it is our ability to conceive of and then get lost in such alternate realities that is our human saving grace.  That it is there that we can find the seeds of peace and patience, empathy and humor, and we can grow them, and we can take them out into the world and share them like blossoms and fruits – or even made up into homemade breads and fresh-baked pies.

The natural world has been doing its best to keep us at least occupied, if not actually entertained, during this time – admittedly, it’s been a sort of trial-and-error effort (like a jack-in-the-box meant to be a distraction which actually scares the bejeebers out of the children).  But there have also been sky dances of stars and double rainbows, a cleansing of the earth’s atmosphere and waters, a renewal of forests and the wild things that live there.  And babies are still being born and weddings are still being celebrated and love songs are being sung across the world to strangers.

So I hope all the new stories are on their way as well, and the art and music and dance and the original insights of science and thought.  I am looking forward to adding my own small voice to it, too – my own new story getting ready for the telling.  

I’ll bring more chocolate.

The soft grey-brown little dove was watching us.  But she wasn’t moving.  

Quincy the dog and I stood at a respectful distance from the sweet little bird as she rested, perhaps nesting, on the ground.  It was an ill-chosen place for a nest, I thought – on the corner of a driveway, only slightly under a protective bush; deeply shaded, but terribly open, vulnerable.

I know that some doves do nest on the ground.  And their nests can be a hasty affair – just scraps and bits of twigs and grass and pine straw thrown together without much thought or structural soundness.  I also know that doves often simply sit and rest on the ground – so I looked carefully, and I saw the nesting materials clearly evident around her body.  And the fact that she stayed, even as Q and I slowly approached, made me quite convinced that this was, indeed, her nesting place, her home, her stage for introducing her future fledglings into the world.  Not well chosen, indeed.  But it was hers and she was obviously committed to it. more “Hatching stones.” …

It happens when you stand up fast, and the blood rushes down into your legs and feet, and your blood pressure drops, and you get kind of giddy and things go upside down for a minute, and your ears hiss, and you feel rather stupid.  And sometimes you have to sit back down again for it to all settle into place.  

It’s called “head rush,” but it seems to me that even that nomenclature is rather upside down – since everything is rushing away from your head, not toward it.  But that’s what it’s called, and I would suspect that most of us have experienced it at one time or another in our lives. more “If I’m wearing pants, this must be Tuesday.” …

I always thought they were a gift from my mother.

The wild and brilliant red rose vines burst into my yard, along the front of the house, just beneath my bedroom windows, the very first spring following my mother’s death.  They have been bringing me delight and insight rather consistently ever since.

It’s been almost a decade now.  And I’ve always refrained from interfering with their spontaneity, their freeform loveliness, even their integration with the window shutters and roofline and other architectural aspects of the house itself, as well as their fellow plants that grow and coexist among them. more “The care and feeding of wild roses.” …

When I picked her up from the shelter, she was being called Lois.  But on the car ride back to my house, she and I decided that her “new life” name should be Mia.  It was May 13th – five weeks and four days ago today.   more “Mia’s Story.” …

I have a friend who used to ride the rails.  It was back in the 1970s.  And he was photo-documenting the lives of railroad tramps – a culture and lifestyle that was fast-disappearing, even then.  

His photographs are haunting and harsh and starkly real in unflinching black and white.  They tell stories of deprivation and pride; stories of living on edges and in shadows; of the addiction to it all, the blatant freedom and mindset of it; the habitual moving and leaving and never arriving, never staying. 

The work is brilliant.  The photographs are utterly compelling.  But what captures my mind and imagination the most are the words he uses to describe the experience – not the least of which is in the cultural dialogue of the tramps themselves. more “Riding the words.” …

I have now washed my hands so many times, I no longer have fingerprints.  I suspect that is significant.

I discovered this phenomenon when it became harder and harder for me to access my phone with my thumbprint.  And it seemed to me that my identity must be literally slipping away.

Perhaps that is so for all of us right now.  If not literally, then figuratively.  And if not as individuals, then perhaps as a species.  

We are no longer who we once were – or had become.  And perhaps this is a wise and wholesome thing. more “In praise of an identity crisis.” …

Once upon a time … before all the world stopped and held its breath … before we became achingly aware of and careful with one another … before, when life was just as it had always been, and would never be again … I wrote a story in remembrance of three weddings.   more “In search of happily ever after.” …

There is a gaping hole in the picket fence that once stood happily defining the edge of my front yard.  It’s a place where the wood has simply degraded and fallen away.  I find it significant that it happened under the weight and consequence of great beauty:  an old and beloved honeysuckle vine that rested there for decades finally had its way with it. more “A hole in the fence.” …

I’m not sure why, but people seem to want to come up and talk to me when I’m wearing my red rubber boots.  With or without the dog.  Any time of day.  Downtown or in the woods or at a store or anywhere in between.   more “The possibilities of red rubber boots.” …